From: Cinemablend.com
Written by: Katey Rich
We all know Fox is putting a whole lot of faith in the upcoming Wolverine: Origins, and Hugh Jackman is running around talking about how he'd like to play Wolvy forever and ever. But apparently the studio is being a little more cautious before they greenlight any more stories about the X-Men, waiting first to see how Jackman and his sideburns.
That's why David S. Goyer, who wrote a script about Magneto's early days, won't be working on that one next. Instead, he told Collider, he'll be taking on his sequel to the H.G. Wells classic The Invisible Man. No, it has nothing to do with his widely hated ghost movie The Invisible. It picks up where the first one left off, following the original main character's nephew as he perfects the powers of invisibility and gets unwanted attention from Scotland Yard in the process.
Check out this clip from their interview with Goyer below, including some details about his plans for Magneto's story.
Showing posts with label H.G. Wells. Show all posts
Showing posts with label H.G. Wells. Show all posts
Friday, 12 December 2008
Wednesday, 13 August 2008
David Goyer May Bump ‘Magneto’ To Make Way For ‘Invisible Man’
From: MTV.com
Published by Larry Carroll
David Goyer is a busy man these days. Making the most popular film of the year, and one of the highest-grossing movies of all time, will do that to a guy.
Now, the “Dark Knight” screenwriter is hoping to capitalize on his success with such recent superhero scripts as “The Flash” and “X-Men Origins: Magneto,” which he’ll also direct.
“That may be next,” he told us recently. But first, Goyer revealed, he hopes to vanish for awhile.
“I’m writing a new version of ‘The Invisible Man’ for Universal,” said the red-hot writer/director, who was at Comic-Con recently to promote “The Unborn,” a horror flick due in theaters next year. “I’m in the process of doing ['Invisible Man'] right now, and I’m working with some conceptual artists in tandem with writing the script. I’m actually working with one of the artists from ‘Batman Begins’ and ‘The Dark Knight.’ So it could be ‘Magneto,’ or it could be ‘The Invisible Man’ next.”
Old–school horror fans will undoubtedly be rooting for the latter. And it should make them giddy to know that Goyer has been tracing the non-material man all the way back to his roots, in order to yank him into the modern age.
“Well, ‘The Invisible Man,’ the Universal film, is a great movie, a Claude Rains film,” Goyer said with admiration. “My take is kind of an extrapolation. It actually deals with a nephew of the first character. It’s got some of the characters from the H.G. Wells book, but it’s kind of a continuation.”
Goyer said that if you’ve seen the Rains film, you might actually get more out of the new version; but at the same time, there’ll be no prior knowledge required.
“It involves Scotland Yard getting their hands on the current Invisible Man and basically saying, ‘Wow, you’d be a really good secret agent to send into Imperial Russia right now,’” an enthusiastic Goyer said of the plot. “It starts off from there.”
As for the intended look of the film he’ll direct as well as write, Goyer made reference to a popular style of fantasy that has emerged over the last few decades: “It kind of crosses a lot of genres. It’s very steam punk.”
And if you’re thinking that the nephew of Jack Griffin will similarly be rendered as a floating hat and scarf in our age of CGI, think again.
“I don’t want to give too much away, but I took what being invisible could mean to the next logical extreme,” he explained. “We do a lot of crazy things in it that are sort of far beyond what anyone’s done with it yet.”
Published by Larry Carroll
David Goyer is a busy man these days. Making the most popular film of the year, and one of the highest-grossing movies of all time, will do that to a guy.
Now, the “Dark Knight” screenwriter is hoping to capitalize on his success with such recent superhero scripts as “The Flash” and “X-Men Origins: Magneto,” which he’ll also direct.
“That may be next,” he told us recently. But first, Goyer revealed, he hopes to vanish for awhile.
“I’m writing a new version of ‘The Invisible Man’ for Universal,” said the red-hot writer/director, who was at Comic-Con recently to promote “The Unborn,” a horror flick due in theaters next year. “I’m in the process of doing ['Invisible Man'] right now, and I’m working with some conceptual artists in tandem with writing the script. I’m actually working with one of the artists from ‘Batman Begins’ and ‘The Dark Knight.’ So it could be ‘Magneto,’ or it could be ‘The Invisible Man’ next.”
Old–school horror fans will undoubtedly be rooting for the latter. And it should make them giddy to know that Goyer has been tracing the non-material man all the way back to his roots, in order to yank him into the modern age.
“Well, ‘The Invisible Man,’ the Universal film, is a great movie, a Claude Rains film,” Goyer said with admiration. “My take is kind of an extrapolation. It actually deals with a nephew of the first character. It’s got some of the characters from the H.G. Wells book, but it’s kind of a continuation.”
Goyer said that if you’ve seen the Rains film, you might actually get more out of the new version; but at the same time, there’ll be no prior knowledge required.
“It involves Scotland Yard getting their hands on the current Invisible Man and basically saying, ‘Wow, you’d be a really good secret agent to send into Imperial Russia right now,’” an enthusiastic Goyer said of the plot. “It starts off from there.”
As for the intended look of the film he’ll direct as well as write, Goyer made reference to a popular style of fantasy that has emerged over the last few decades: “It kind of crosses a lot of genres. It’s very steam punk.”
And if you’re thinking that the nephew of Jack Griffin will similarly be rendered as a floating hat and scarf in our age of CGI, think again.
“I don’t want to give too much away, but I took what being invisible could mean to the next logical extreme,” he explained. “We do a lot of crazy things in it that are sort of far beyond what anyone’s done with it yet.”
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